The Duck House

About The Show

Video Review

  • The Duck House large
The Duck House is a brand new political play written by Mock the Week producer Dan Patterson and Have I got News For Your writer, Colin Swash.  The production will make it’s West End debut at the Vaudeville Theatre following a UK tour, starting in October.

The Duck house is a satire of the events surrounding the 2009 Parliamentary Scandal that revealed the extent to which MPs were claiming expenses for their own personal gain during Gordon Brown’s reign as Prime Minister. One of the most ridiculous expenses claim was from the now former Tory MP, Sir Peter Viggers, who requested £1,645 reimbursement for a duck house, or “floating duck island” built in the garden in his Hampshire home. The duck island soon became a symbol of the ridiculousness of the expenses scandal, this being the inspiration behind the title of the show.

The play itself is set amid the very same scandal, although focuses on the fictional character of Robert Houston, a Labour MP who loves being an MP, regardless of the party he represents! As his seat comes under threat, Houston switches from Red to Blue, discarding his old party. However all is not rosey for the new blue as the expenses scandal breaks.

Holed up in his lovely country come, Robert Houston, his wife Felicity, son Seb, Seb’s girlfriend Holly and heir Russian speaking housekeeper Ludmilla all find themselves in hot water. Can the MPs career survive the trouble he has got himself and his family into?

Casting includes Ben Miller as Robert Houston, Nancy Carroll as his wife Felicity, Simon Shepherd as Sir Norman Cavandish and James Musgrave as his son Seb. Debbie Chazen takes the role of Ludmilla whilst 2008 X Factor runner up, Diana Vickers, continues her acting foray as Seb’s girlfriend, Holly.

Child Friendly?

The Duck House is a political satire about real life events, which may prove relatively uninteresting for young children. Children over the age of 8 who are accompanied by an adult may see the show.

Seating Tips

Click here for the Vaudeville Theatre seating chart and seat price guide.
An uneven new production by Dan Patterson and Colin Swash
The Duck House is the latest resident at the ever changing Vaudeville Theatre. I have to say I was looking forward to the show as I am a big fan of Mock the Week and Have I Got News For you and it just so happens the show has been penned by Dan Patterson and Colin Swash (respective writers of the aforementioned shows.) With two trusted political satirists at the helm of this production, I suspected I was in safe hands. I was wrong.

For those that don’t know, The Duck House is a satirical take on the 2009 MP expenses scandal during which it was revealed that Sir Peter Viggers had claimed £1,645 of tax payers money as reimbursement for an extravagant “Floating Duck Island” in his equally extravagant pond. The show presents fictional Labour MP, Robert Houston as he battles the expenses scandal on the eve of switching to the Tory party. As is the situation in many political farces, chaos ensues as a leading Tory MP, Sir Norman Cavandish, arrives to check Houston is squeaky clean.

Act 1 was funny in places, rather predictable so, but a generally recognised recipe for comedy “success.” Ben Miller’s Houston is conveyed smoothly as he and Debbie Chazen, who plays the family’s migrant housekeeper, Ludmiller, work together to provide the majority of the comedy in the first half. I have to say that, as a whole, I enjoyed the first half; it was likable and a believable enough situation to encourage a connection with the cast. Act 2 however…

If I thought the First Act was at times trying to force feed me “comedy,” Act 2 was on a whole different level. It was like a farce on E, or so I would imagine. I am all up for ridiculousness in the theatre, but the key to pulling off something exceptionally wacky is by the cast truly believing in their actions and sadly this was often not the situation. Poor Diana Vickers, who played the Northern temptress Holly, had to spank a man twice her age, who of course was dressed in an oversized nappy, whilst smearing him with Camembert. She looked terrified. The audience felt awkward.

After being relatively impressed with their performance in the first half of the evening, I was sad to find  Nancy Carroll and Simon Shepherd had digressed along with the plot in Act 2. I kind of wish I’d left at the interval.

My rating for the show is based entirely on Act 1, which generally had the ingredients for an enjoyable night. If Patterson and Swash wished to rewrite Act 2 to make it less inaccessibly ridiculous, then they could be on to a winner. As it stands, I think their stage debut may be short lived. Oh and a question to director Terry Johnson: what were you thinking?!

9 December 2013, Vaudeville Theatre