24 Feb 2020
Prince-of-Egypt-production-header

The Prince of Egypt review

Movie adaptations seem such a biblical plague upon the West End that it can be difficult to be excited when another one arrives. Considering the last example I saw at the Dominion Theatre was BIG: The Musical, I can be forgiven for a little scepticism when I walked into The Prince of Egypt. I was...

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18 Feb 2020
BeMoreChill

Be More Chill review

Be More Chill has just exploded onto the musical circuit in London, and it's set to electrify audiences night after night. The musical, based on the 2004 novel of the same name by Ned Vizzini, follows the plight of Jeremy, an ‘uncool’ high school student with a serious crush on his classmate,...

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12 Feb 2020
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Waitress review

As Sara Bareilles belted out the heart-wrenching final note of ‘She Used to Be Mine’, the audience instinctively sprung to their feet in enthusiastic applause. She had just proved that her voice was the true star of the show, Waitress, resident at the Adelphi Theatre. Alongside her is Gavin...

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10 Feb 2020
Jamie OT Large

Everybody's Talking About Jamie review

With the show currently booking until August 2020, it’s clear that lots of people are still talking about Jamie.  First seen in London’s West End in October 2017 the latest cast are clearly having a riot with this little gem (or would sequin be a more appropriate word?) of a show. The story...

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29 Jan 2020
KuneneLarge

Kunene and the King review

South Africa’s problematic history is exposed in Kunene and the King, a sharp new play written by John Kani. Last year marks a quarter of a century since the nation’s first post-apartheid democratic elections, and this insightful two-hander explores the complex relationship between two South...

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28 Jan 2020
VanyaLarge

Uncle Vanya review

Although Ian Rickson’s new production of Chekhov is brilliantly acted across the board, it is Toby Jones who gives the stand-out performance. Playing Uncle Vanya, he deftly balances humour and despair - with the disappointment and boredom of his provincial life plain to see. From the time he...

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22 Jan 2020
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Magic Goes Wrong review

You can accuse the members of Mischief Theatre of many things- frivolity, repetitiveness, popularism, repetitiveness - but what you absolutely can’t accuse them of is false advertising. There is a lot of magic in this show, and an equal amount of it goes wrong. If you’re buying a ticket...

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19 Dec 2019
CurtainsLarge

Curtains review

What do you get if you combine The Mousetrap, The Play That Goes Wrong and Oklahoma!? A musical whodunnit comedy. Well, at least that’s the aim of this show from John Kander, Fred Ebb and Rupert Holmes. It’s the opening night of Robbin Hood, but the leading lady is causing drama by her lack of...

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18 Dec 2019
girlOTmain

Girl from the North Country review

An orange glow dimly lights the Gielgud stage as we’re transported back to a 1934 boarding house in the town of Duluth, Minnesota. Duluth also happens to be the birthplace of Bob Dylan, whose discography provides the soundtrack to this poignant Depression-era tale. First seen at the Old Vic in...

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9 Dec 2019
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Amelie review

As a teenage girl in the noughties, proclaiming to be a fan of the 2001 French film Amélie was a given if you wanted to come across as quirky and cultured. The iconic movie introduced us to peculiar yet endearing Amélie Poulain and has remained a cult classic since we watched Audrey Tatou smile...

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Latest

Movie adaptations seem such a biblical plague upon the West End that it can be difficult to be excited when another one ...

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Latest

Have you heard the fetchest news in all of Theatreland? The Plastics are set to crash the West End, as the long-awaited Mean Girls the Musical transfers to London in early 2021. Keep up to date on all the latest news about the London production here. Mean Girls the Musical premiered in 2017 in Washington, DC […]

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One of the beauties of the film Amélie is that very little happens. There’s no drama, no test of faith and no real obstacles to be overcome. And yet it’s mesmerising, whimsical and charming. So how could a musical adaptation live up to its following, especially when Yann Tiersen already created a fantastic score? Amélie […]

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