Pride and Prejudice* (*sort of)
Isobel McArthur's production, which uses romantic pop songs from the last 200 years to help retell the classic tale of romance, scandal and manners, is told from the perspective of six female servants.
Box Office Contacts
|Box Office:||+44 (0) 333 3202 895|
|Access Booking:||+44 (0) 20 7839 8811|
|Group Booking:||0844 815 6141|
|Stage Door:||020 7839 8811|
Under the management of prolific theatre manager Charles Wyndham, who took charge of the theatre between 1875 and 1899, the Criterion began to establish itself as one of London’s more successful venues, with productions such as The Great Divorce Case (1876), Foggerty’s Fairy (1881) and Haste to the Wedding (1892).
The Criterion Theatre continued to house productions between the World Wars, including Musical Chairs, starring John Gielgud, and Terence Rattigan’s French Without Tears (1936), which ran for an impressive 1,039 performances. During World War II, the venue closed down and became a safe studio for the BBC, who broadcasted news and light entertainment.
In the 1970’s, the theatre was threatened with redevelopment, but was met with public protest. Post-War productions included Samuel Beckett’s Waiting for Godot (1955) and Anouil’s comedy The Waltz of the Toreadors (1956).
Property tycoon Robert Bourne purchased the theatre in the 1980’s, housing productions such as Tom Foolery (1980-1981), Can’t Pay? Won’t Pay! (1981-1982) and Run for Your Wife (1983-1989).
From 1996 to 2005, the Reduced Shakespeare Company played The Complete Works of William Shakespeare (Abridged) to rave reviews and acclaim, before being replaced with Jon Buchan’s popular stage adaptation of Alfred Hitchcock’s The 39 Steps, which ran at the theatre for 9 years.
Follow the closure of The 39 Steps, Menier Chocolate Factory’s production of Close To You: Bacharach Reimagined (2015-2016) transferred to the Criterion. In 2016, Mischief Theatre’s brand-new comedy The Comedy About a Bank Robbery (2016) transferred and continues to this day. Occasional small productions continue to play alternate performances at the venue, including Mr Popper’s Penguins (2016).